![]() Cinematography by Dilraj is impressive, while Vijay Antony himself has edited this movie for the first time, and for a first-timer, it's quite a decent output. Despite having a solid support Casting, the young maker fails to deliver an interesting screenplay and laces it with cliched, predictable sequences, and boring love tracks.Īfter several successful flicks as an actor, Vijay Antony has this time joined hands with debutant Srinivasan, for Annadurai. Music by Vijay Antony is below par, with the kick in the BGM of his previous releases clearly missing, and the songs giving the feel of a dubbed flick with poorly written lyrics. Kaali Venkat and Radha Ravi are adequate. Despite the presence of 3 heroines, Diana champika, Mahima and Jewel Mary, none of them make an impact as their roles are poorly etched, besides they don't get much screen space to perform. Vijay Antony is known for his knack of choosing scripts that give him unconventional roles, and this time around, he has delivered yet another interesting performance with restrained emotions and subtlety in both his roles and the only place where he falters happens to be the romance sequences. Then due to some political games the brothers face off each other and finally the movie ends on a tragedy state. Indrasena is one of the greats while Rudrasena is a physical trainer. Indrasena and Rudrasena are twin brothers. Now, the actor has returned with a dual role entertainer yet again with Annadurai, with a debutant Director at the helm of affairs. ![]() Vijay Antony, CinematographyVijay Antony, Cinematograph圜liches, Predictable twists, Tragedy ending, Music, Over sentiment, Whatsapp Philosophy Dialoguesĭespite failing bigtime with the psychological thriller Saithan, music director turned actor Vijay Antony gave a decent comeback to his political revenge thriller Yaman directed by his mentor Jeeva Shankar. ![]()
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